I’m a big fan of Dali, but not because of his classic artworks that can be seen on dorm room posters in college campuses across America. No, what I admire about Salvador Dali was his ability to see things in an entirely different manner from those around him. All of his paintings reflect this brilliance, but none show just how fantastic his mind worked better than those that incorporate anamorphism.
Anamorphic art requires the viewer look at the piece from a specific viewpoint or using a special tool in order to actually see the artwork in its proper display form. By the end of his career, Dali was a master of this skill, creating paintings like the one above that required cylindrical mirrors to see the work in its true form, and by painting spectroscopic images that required 3D glasses to take in the full effect.
His most famous work of this type is the Mae West Room in his Theater Museum that was based on his famous painting, The Face Of Mae West. As you can see in the pictures below, the stage appears to be nothing more special than a lip-shaped sofa with a strange fire place and two paintings. When you step up to the viewing platform and look through the lens though, everything comes together into a bizarre portrait of the legendary actress.
The first two photos are my own, but the final image is courtesy of Flickr user asirap.